St. Bonifatius (Cologne-Nippes)
A neo-Romanesque basilica from 1914 in Cologne-Nippes, regarded as the city's only Art Nouveau church.
since 1914
In the left-bank Cologne district of Nippes stands St. Bonifatius, a neo-Romanesque church that still belongs to the Catholic parish of St. Engelbert and St. Bonifatius.
Auf einen Blick
- District
- Cologne-Nippes (left bank of the Rhine)
- Construction
- 1912–1914
- Architect
- Adolf Nöcker
- Style
- Neo-Romanesque with Art Nouveau elements
- Dedication
- Saint Boniface
- Consecration
- 19 March 1914 by Archbishop Felix von Hartmann
- Heritage status
- listed since 10 January 1983 (no. 1247), together with the parish house
- Parish
- St. Engelbert and St. Bonifatius (Roman Catholic)
When Josef Frings became a cardinal in 1946, he held his first Mass as cardinal not in the war-damaged Cologne Cathedral but in St. Bonifatius — his coat of arms in the high choir still recalls it.
Things to do here
- Discover Cologne's only Art Nouveau church
- Contemplate the golden mosaic of the high altar
- Marvel at the 1928 "Bach organ" with 3,188 pipes
- Look for Cardinal Frings's coat of arms in the high choir
- View the Creation windows in the side aisles
Age comparison
Age compared with other places in Cologne.
History
The first sod was turned on 2 September 1912, and the church rose to designs by Adolf Nöcker, who had already built the neighbouring parish house in 1905. Construction cost 300,000 Reichsmark, and the finished building was attached to the right of the parish house, blending into the row of houses along Gneisenaustraße. The structure came through both World Wars largely undamaged. A notable moment came in 1946: after Josef Frings was elevated to cardinal in Rome on 18 February, he celebrated his first Mass as cardinal not in the war-damaged cathedral but here in St. Bonifatius. His coat of arms in the high choir, opposite the sacristy door, still recalls the occasion.
Architecture
The three-aisled basilica holds around 1,800 people and offers 500 pew seats. Six round columns support the ceiling of the nave, which ends in a large apse, while the side aisles close in smaller apses. The main entrance is framed by three round arches, above which four large angel figures with swords stand guard. A stone Crucifixion group crowns the façade gable, bearing the gilt inscription ECCE AGNUS DEI QUI TOLLIS PECCATA MUNDI. Beneath the bell tower clock, another golden inscription warns: UNA EX HIS TUA ERIT — "One of them will be yours." To the right of the entrance lies a memorial chapel from 1921 honouring the parish's fallen from both World Wars.
Furnishings
Alongside its Romanesque character, the interior carries playful Art Nouveau forms — the feature that makes St. Bonifatius regarded as Cologne's only Art Nouveau church. The high altar, reached by nine steps, is framed by six life-sized apostle figures and displays a golden mosaic of God the Father blessing and holding the globe; its structure of embossed gold plates follows a design by Fritz Zehgruber, who also worked on the Shrine of the Three Kings in Cologne Cathedral. The side aisles hold the Marian altar "of Perpetual Help" and the Boniface altar with a nearly life-sized figure of the church's patron saint; all altars feature coloured marble elements. A triumphal cross in the transept shows Christ wearing a royal crown, and the baptistery contains a richly decorated octagonal font resting on eight black marble columns. Five Art Nouveau confessionals are spread across both sides, and the Stations of the Cross in the memorial chapel are the work of the Dutch artist Wijnand Geraerdt.
Organ and Bells
The organ was built in 1928 by Ernst Seifert on a stage of 90 m² and inaugurated on 2 April 1928; its sound earned it the nickname "Bach organ." The membrane-chest instrument with electric action has 3,188 pipes — the largest measuring 5.02 m, the smallest just 5 mm. It was enlarged in 1938 and 1954, survived the Second World War intact, and was restored by Gert Weyland in 1995. The first peal was cast in 1914 by the Heinrich Humpert foundry in Brilon, but most bells were soon melted down for armament purposes. A heavier set weighing 6.7 tonnes, ordered from Brilon in 1924, met the same fate in the Second World War. Today four bells ring, among them the large Boniface bell, cast from tin-free "Brilon special bronze" of copper and silicon.
Stained-Glass Windows
All windows are leaded glass with black-lot painting on antique glass. In the side aisles, six windows recount the first six days of Creation, made around 1950 by an unknown artist. The Jacob Melchior firm created the windows in the chapel and transept between 1952 and 1954, including depictions of Saints Peter and Paul as well as symbols of fish, sun, moon and stars. In the clerestory, alongside ornamental compositions, two windows carry the texts GEGRÜSSET SEIST DU VOLL DER GNADE and DER MEISTER IST DA ER RUFT DICH.
Timeline
- 1912First sod turned on 2 September.
- 1914Archbishop Felix von Hartmann consecrates the church on 19 March.
- 1928Inauguration of the Seifert organ on 2 April.
- 1946Cardinal Frings celebrates his first Mass as cardinal here.
- 1983Listed as a heritage monument (no. 1247) on 10 January.
- 1995Gert Weyland restores the organ.
Gallery
Map
Blue dots: other places nearby — tap to explore.
Address
Gneisenaustraße 7
50733 Köln
Hours
Di: 09:00–18:00
Mi: 09:00–18:00
Do: 09:00–18:00
Fr: 09:00–18:00
Sa: 09:00–18:00
So: 09:00–18:00
Contact
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Sources & links
- Official website
- Official website (retrieved 2026-07-17)
- Wikidata (retrieved 2026-07-06)
- Wikipedia (retrieved 2026-07-06, rev 230371443)
Auto-generated, last verified: 2026-07-06
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