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No longer exists
This structure no longer exists today – this entry tells its story.
© Anton Meder und Carl Emanuel Conrad (1810-1873), · Public domain

Glockengasse Synagogue

Cologne's destroyed 1861 synagogue — a domed central building on a Greek cross plan with Alhambra-style decor; today a bronze plaque marks the site.

since 1857

The Glockengasse Synagogue stood in Cologne and was built to designs by cathedral master builder Ernst Friedrich Zwirner. It was destroyed during the November Pogroms of 1938.

At a Glance

Type
Synagogue (no longer standing)
Location
Glockengasse 5–7, Cologne
Architect
Ernst Friedrich Zwirner
Foundation stone laid
30 June 1857
Inaugurated
29 August 1861
Distinctive feature
Interior decor modeled on the Alhambra
Today
Bronze plaque on the opera house at the edge of Offenbachplatz

Age comparison

Age compared with other places in Cologne.

History

The synagogue was built on the site of the former Poor Clares convent of St. Maria im Tempel. Banker and patron Baron Abraham von Oppenheim covered the entire construction cost. The building burned out in 1867 and was rebuilt according to the original plans. Like other Cologne synagogues, it was destroyed during the November Pogroms of 1938. Today a bronze plaque on the façade of the opera house at the edge of Offenbachplatz marks the former location.

© Druck einer Liithographie nach einer Zeichnung von Peter Parrit (19.Jh.) · Public domain

Design and Layout

The building was considered the earliest example of a domed central structure on a Greek cross plan. As in Byzantine architecture, the four arms of the cross were of equal size, creating corner spandrel spaces — the northern ones served as staircases to the women's galleries. The dome was inscribed within the central square, at the heart of which stood the bimah; this central placement adhered to older tradition, unlike the Reform-inspired design of the Roonstraße synagogue. Facing the street, a lower vestibule with five rooms provided access, an entrance portal for men, and housing for the synagogue caretaker.

© Horsch, Willy · CC BY 3.0

Architecture and Furnishings

The supporting structure of columns and arches was made of cast iron, with the cross arms covered by barrel vaults. Three arms featured two-tiered galleries, and the Aron haKodesch (Torah ark) stood in the eastern one. The stucco work by Josef Hartzheim displayed an interlocking diamond pattern, painted in blue, red, and gold by Friedrich Petri, echoing the stucco decoration of the Alhambra's chambers. The dome and vaults remained unstuccoed, painted blue with golden stars. Outside, a projecting central bay, a crenellated crown, and four minaret-like turrets with onion domes formed the upper silhouette, while the rose window in the main façade showed Gothic influence. Cologne sculptor Stephan carved the Aron haKodesch from white Carrara marble with a horseshoe arch, echoing both the Alhambra's capitals and the onion-domed turrets of the exterior. From the same marble he crafted the basin of the mikveh in the basement.

© Julius Deutsch · Public domain

Gallery

© Julius Deutsch · Public domain · Commons
© Julius Deutsch · Public domain · Commons
© Plups · CC BY-SA 3.0 · Commons
© Ernst Friedrich Zwirner (1802-1861) · Public domain · Commons
© Ernst Friedrich Zwirner (1802-1861) · Public domain · Commons
© Carl Emanuel Conrad · Public domain · Commons

Map

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Auto-generated, last verified: 2026-06-30

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